Overdubbed layers can then be added on the other two loopers by UN-muting the channel, then hitting record when the time is right. With the first channel UN-muted with the record disabled, a musician can still feed the channel strip without recording on top of the previously recorded layer.
This sets the tempo of the concert, which keeps our other loopers in lock step. The groove continues until we hit the record button again, which turns the record function off, but leaves the loop playing. This technique works best if there is a grooving sound happening through the UN-muted first looper and the record is triggered exactly at the downbeat. The way this looper works is for the serious live looper. The buttons will still work in the Mainstage window, so you can follow along.Ĭreate a new Concert (using 'Keyboard Starter' from the template chooser works nicely), name it 'Live Looping', and open the Layout Screen. In this case, I am going to create a Layout with buttons that correspond to my Axiom Pro. To start off, we are going to want to put all the controllers that we want to use in the Layout Screen. Getting the Concert Ready - Creating the Controls We are going to explore some ways to use Mainstage live to add some flexibility to live looping. When pieces are looped, the endless repetition can be grating.
#Using apple mainstage live how to#
Live looping is an interesting art form when done well, and can be annoying when an artist doesn't know how to perform in a compelling way. Live looping is essentially recording a live take, and then overdubbing more takes as the previous take loops in the background. There are others, however, that have started using Mainstage as a live looping machine. Many artists these days are using Mainstage for their rack of tones and to play backing tracks to support the band.
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